@book {Deleuze1997, title = {Cinema II: The Time-Image}, year = {1997}, publisher = {University of Minnesota Press}, organization = {University of Minnesota Press}, address = {Minneapolis}, abstract = {

Cinema 2: The Time-Image brings to completion Gilles Deleuze{\textquoteright}s work on the theoretical implications of the cinematographic image. In Cinema 1: The Movement-Image, Deleuze proposed a new way to understand narrative cinema, based on Henri Bergson{\textquoteright}s notion of the movement-image and C.S. Pierce{\textquoteright}s classification of images and signs. In Cinema 2, he explains why, since World War II, time has come to dominate film: the fragment or solitary image, in supplanting narrative cinema{\textquoteright}s rational development of events, illustrates this new significance of time.

}, url = {https://monoskop.org/images/6/68/Deleuze_Gilles_Cinema_2_Time-Image.pdf}, author = {Deleuze, Gilles} } @book {Deleuze1991, title = {Bergsonism}, year = {1991}, publisher = {Zone Books}, organization = {Zone Books}, address = { New York}, author = {Deleuze, Gilles} }