%0 Book %D 1997 %T Cinema II: The Time-Image %A Deleuze, Gilles %? Tomlinson, Hugh %? Galeta, Robert %X

Cinema 2: The Time-Image brings to completion Gilles Deleuze's work on the theoretical implications of the cinematographic image. In Cinema 1: The Movement-Image, Deleuze proposed a new way to understand narrative cinema, based on Henri Bergson's notion of the movement-image and C.S. Pierce's classification of images and signs. In Cinema 2, he explains why, since World War II, time has come to dominate film: the fragment or solitary image, in supplanting narrative cinema's rational development of events, illustrates this new significance of time.

%I University of Minnesota Press %C Minneapolis %G eng %U https://monoskop.org/images/6/68/Deleuze_Gilles_Cinema_2_Time-Image.pdf %0 Book %D 1991 %T Bergsonism %A Deleuze, Gilles %? Tomlinson, Hugh %? Habberjam, Barbara %I Zone Books %C New York %G eng