01047nam a2200133 4500008004100000245003000041210002800071260004700099520063200146100002000778700002000798700001900818856007600837 1997 eng d00aCinema II: The Time-Image0 aCinema II The TimeImage aMinneapolisbUniversity of Minnesota Press3 a

Cinema 2: The Time-Image brings to completion Gilles Deleuze's work on the theoretical implications of the cinematographic image. In Cinema 1: The Movement-Image, Deleuze proposed a new way to understand narrative cinema, based on Henri Bergson's notion of the movement-image and C.S. Pierce's classification of images and signs. In Cinema 2, he explains why, since World War II, time has come to dominate film: the fragment or solitary image, in supplanting narrative cinema's rational development of events, illustrates this new significance of time.

1 aDeleuze, Gilles1 aTomlinson, Hugh1 aGaleta, Robert uhttps://monoskop.org/images/6/68/Deleuze_Gilles_Cinema_2_Time-Image.pdf