Title | Cinema II: The Time-Image |
Publication Type | Book |
Year of Publication | 1997 |
Authors | Deleuze, G |
Translator | Tomlinson, H, Galeta, R |
Publisher | University of Minnesota Press |
Place Published | Minneapolis |
Publication Language | eng |
Abstract | Cinema 2: The Time-Image brings to completion Gilles Deleuze's work on the theoretical implications of the cinematographic image. In Cinema 1: The Movement-Image, Deleuze proposed a new way to understand narrative cinema, based on Henri Bergson's notion of the movement-image and C.S. Pierce's classification of images and signs. In Cinema 2, he explains why, since World War II, time has come to dominate film: the fragment or solitary image, in supplanting narrative cinema's rational development of events, illustrates this new significance of time. |
URL | https://monoskop.org/images/6/68/Deleuze_Gilles_Cinema_2_Time-Image.pdf |
Citation Key | Deleuze1997 |